Picture credits

The runway looks — in the Fashion Week essay, the hero at the top of the home page, beside the essay cards, among the gallery pictures, and in Build a look and the moodboard — are photographs from Vogue Runway of the Spring 2027 ready-to-wear collections. They belong to the photographers who took them and to the fashion houses that showed the clothes, and have been cut from their backgrounds here to illustrate what the essay says about each collection.

The moodboard’s locked FL DLC pack holds further runway photographs of the same kind, cut out in the same way. They are credited on a board as “Runway photographs: Vogue Runway” and are not listed here, because the pack is not public.

• Carolina Herrera, Spring 2027 ready-to-wear: 3 looks
• Schiaparelli, Spring 2027 ready-to-wear: 4 looks
• Johanna Ortiz, Spring 2027 ready-to-wear: 3 looks
• Dior, Spring 2027 ready-to-wear: 3 looks
• Gabriela Hearst, Spring 2027 ready-to-wear: 3 looks
• Ralph Lauren, Spring 2027 ready-to-wear: 3 looks

They are shown here as part of a review and are not available for reuse. If you make something with Build a look or the moodboard, it is for you; if you share it, please name the designer and Vogue Runway. The photographers’ own credits are on each collection’s page at vogue.com/fashion-shows.

The five collages on the home page and at the head of the essays are each arranged from several pictures. What is known about each is below, and the list grows as the rest is confirmed.

• Presence, dress and protest

  • Photograph of President John F. Kennedy with a Native American leader, credited in the image to Art Shay.

  The remaining pictures in this collage are still being credited.

• The warbonnet, in profile

  The pictures in this collage are still being credited.

• A designer at work in an indigo-dyed studio

  The pictures in this collage are still being credited.

• Gustav Klimt

  • Gustav Klimt, The Virgin (1913)
  • Gustav Klimt, Schloss Kammer on the Attersee III (1910)
  • Gustav Klimt, Portrait of Adele Bloch-Bauer I (1907)
  • Gustav Klimt, Houses at Unterach on the Attersee (1916)
  • Gustav Klimt, The Kiss (1907–08)
  • Gustav Klimt, Beethoven Frieze, detail (1901–02)
  • Gustav Klimt, Death and Life (1910–15)
  • Gustav Klimt, Hope II (1907–08)
  • Moriz Nähr, portrait of Gustav Klimt with a cat (about 1911)

  The paintings are in the public domain, and so is the photograph.

• The body as a canvas

  The pictures in this collage are still being credited.

• Elsa Schiaparelli’s 1941 vegetable jacket, in the Fashion Week essay

  A photograph of the jacket on display. The photographer and collection are still being credited.

Everything else — the tulips, gold, textiles and manuscripts beside the essays, and every piece in the moodboard’s packs — is from the Cleveland Museum of Art’s open-access collection, which the museum has released into the public domain (CC0), free for anyone to use. The background of each has been cut away. Each is listed with its accession number, which links to the museum’s own page for the object.

The works in the Louvre on the museum page are photographs of works in the public domain, and each photograph is itself in the public domain or released under CC0 where it was found: on Wikimedia Commons, in the Metropolitan Museum of Art’s Open Access collection, or in the Cleveland Museum of Art’s, whose pieces fill the six cabinets. Each licence was checked at its source when the museum was built. Sculptures and objects have been cut from their backgrounds. The same credit is on each work’s label in the museum and on its card.

If you made one of these pictures, or own the rights in it, and it is not credited as you would like, or you would rather it were not here, write to adumas887@gmail.com with the page it is on. Alice Dumas will either credit it as you ask or take it down, and will reply within a week.